Nulla dies sine linea

 

sun rays

 

I have to finish the first draft of my book on consciousness by the start of November. I want to leave about two months for rewriting, clarifying, and improving the style. That means. 1339 words a day every day before 1 September to reach my target 160,000 words. (My writing software of choice, Scrivener, will automatically calculate the daily target based on your deadline and target length, and keep track of your daily writing total against the daily target.) There are probably going to be some days when something goes wrong and I can’t write, so I should be aiming for about 1500 words a day. I don’t know whether that sounds a lot or little to you; most days I have to read and think to be able to write those words, and I have to keep track of citations (not included in the total) as I go.

It would be easier if I didn’t have a day job too. Fitting writing in spare moments is difficult and stressful. Whoever thought that a writer has an easy life? At the very least it requires great discipline and great dedication.

When writing like this it is difficult to fit much else in to life. The mundane tasks are piling up. I really should wash the car, clear the vegetable patch, and change my energy suppliers, but such things always come last.

But the end is in sight. I finish the day job on 31 July. As of today that’s exactly 100 days.

Hopefully then things will be easier. But then there are these things called “holidays”. No wonder holidays can be among the most stressful of life events! Holidays for the writer and depressed person are interesting things. Words don’t get written unless you’re at the computer (or typewriter, or even with a notepad and pencil), and totals don’t wait for holidays. I suppose all self-employed people have the same problem – can we afford to take a break? It is though I think more challenging for writers facing a deadline. My current plan is never to stop writing, and write even in holidays and on Christmas day.

I suppose there is with every task a point at which it sometime becomes a chore, no matter how important the job and no matter how enjoyable it usually is. We just have to push on through.

A long time ago, Apelles the painter said:

Nulla dies sine linea.

Not a day without a line. The same applies to writers too. Even depressed writers. And setting some task for the day ahead, however small, and if possible doing it is of great help to depressed people in general.

The daily schedule of a depressed writer

 

wood pigeon

It’s not easy being depressed, and it’s not easy being a writer. Being a depressed writer is worse than the sum of the parts. I often wonder why I bother; why not just go for the easy life of staying in bed all day long, which is often what I most often most want to do? Instead I struggle to make time for my writing.
It does mean that for depressed writers there is the question of how can we best arrange our time to facilitate writing? Of course it’s a problem all writers and creative people share. One of the best books I have read recently is Daily Rituals: How Great Minds Make Time, Find Inspiration, and Get to Work by Mason Currey (2013). Unusual creativity comes from unusual people living unusual lives. It is quite difficult to discern a pattern in the most creative lives. Have a look at this nice graphical representation of the daily routines of a sample of creative people (including creative scientists):

https://podio.com/site/creative-routines

With all sorts of caveats, and with many exceptions, the pattern seems to be get started early, exercise, relax. I’m not being prescriptive: until I cut down my quetiapine medication I was incapable of getting started early. And when I was Dean I had countless 8.30 and 9.00 am meetings, which really got in the way of getting deep work done (see my earlier blog on “Deep work”). There is robust evidence that some people are morning types and some evening, and if I were going to be prescriptive about anything, it would be to work out when you have most energy and feel best, and do your most creative work then. So of course there are many exceptions to this general pattern of writing first thing: some writers can only really get going at night after a few martinis. (Amazingly though Ernest Hemingway always started writing at six in the morning, even if he had been up late the night before with hard drinking, and worked until about noon.)
For me it ‘s good though to get the writing out of the way. I can never relax until I’ve completed my writing goal for the day. Another problem with starting late is that I never know how a writing task is going to take until I’ve done it. I’m writing a book on consciousness at the moment and I’ve set myself the target of a thousand words a day. It preys on my mind until the target bar in Scrivener (my currently preferred book writing software) reaches 100% for the day.
It is worth spending time on working out what is the perfect day for living the perfect life, in the sense of maximising quality time to get what we want to get done, done. It’s obvious that routine is important; routine crystallised to the point of ritual in many cases, as the title of Currey’s book suggests. Routine does bring its own problems for living – routine is the enemy of spontaneity, unless we schedule some hours in which to be spontaneous, which almost defies the purpose. But when on a creative burst, writing a book with a deadline, I need routine. A rigid routine or else I will not get it done. This routine means being tough on myself as well as other people. No exceptions.
I do wonder how some people manage to get so much more than me. I struggle at the moment with work, let alone writing. I try and free up as much quality time (for reading, writing, and thinking) as possible by outsourcing things like cleaning and mowing the lawn. I’m lucky that I can. How do people with children manage? But there are some days when I am so depressed that I just want to sit and cry and stare into space. Fortunately these days are much rarer when I’m writing; perhaps the sense of purpose writing provides helps us lift my mood. But one of the most depressing things about being depressed is how much time is lost to being ill. It is tragic.

Changing my life

IMG_0371

 

In my last blog I described how I had decided to take the leap from being employed to self-employed, and become a full-time writer. I’ve done this in part because of course I want to spend more time writing, and in part because I think being wholly responsible for my life will help my battle with depression and anxiety. So far – and I’m aware that it’s very early days – I’m optimistic; mostly, at the moment, I feel remarkably happy and anxiety free. Taking complete control of my life has almost been an instant cure. I still have some bad days when I feel a bit depressed, but the bad is now nowhere near as bad as it has been. Of course the days are getting longer as well, and the perpetual gloom of the Scottish winter has started to lift; I’m sure that helps, but I don’t think the weather is the main reason for my improvement. Being free is I think the major factor. I’m sure the feeling won’t last for ever – people soon adapt to changes in their circumstances – but I think it’s a good and important change.
So I have decided to reduce my medication. I have gone down to only two quetiapine a day. Quetiapine is an atypical anti-anxiety drug that is very effective against anxiety. It worked great for me, but made me extremely sleepy. I was worried that this reduction in dosage might interfere with my ability to sleep: I love the instant unconsciousness quetiapine gives you at night; I like the way I put my head on the pillow and I am asleep. In the morning I don’t even remember switching the light out the night before. I was afraid that I would lose this instantaneity of falling asleep, but I haven’t (so far). I don’t sleep quite as deeply later in the night, but I do find it easier to wake up in the morning. I hate the way quetiapine makes it so difficult for me to wake, and leaves me feeling like I just need to go back to sleep for the first couple of hours of the day. Reducing the dose has greatly reduced this zoned out feeling. So far, so good. And I’ve had no rebound in anxiety levels, which I also feared might happen.
I’ve decided I need to make other changes too. Now the general advice when changing your medication and life when mentally ill is only to change one thing at a time. So I’ll give the reduction in quetiapine some time to bed down. My previous “big change” was to try to get fit and go to the gym. This change has more or less worked out, and I’m now fitter than I have ever been. I still can’t say I particularly enjoy the gym or exercise though; I find cardio painful – literally and metaphorically. I hope to reduce the dose of quetiapine to one a day soon.
But it is also time to rethink my daily schedule to see how I can maximise writing time. The research shows that many great writers start early in the morning and get going with those words. I would need at least a cup of tea before I could do anything, but I could make writing the number one priority of the morning. No checking of email or Facebook until those thousand or whatever the target number of words are out. At the moment I go to the gym some mornings, and as the anxiety builds up, take quetiapine. Although it calms me down I feel a bit sedated as well, and I don’t like that feeling. Often (and of course it’s not always possible to do so) I fall asleep. I then feel good and perky for the later afternoon, evening, and early night. Of course at the moment the writing time is naturally heavily constrained by the day job; I won’t be able to change my life fully until I actually finish. At this time of the academic year student project work and marking more than fills the day. For now though, work comes first. The writer’s life is not an easy one. And being depressed is not easy. Being an employed depressed writer is very difficult indeed.

 

Taking the leap

Morning cirrus

Last week I took the plunge and decided to “retire” from my full-time job as an academic and go free-lance as a writer from 1 August.

Some call me brave, some lucky, and I worry I’m being stupid. I’ve been fortunate in life so far in being able to do the two things I wanted to do when I was young: be a professor and to write. After spending most of my time doing the first and only a little of the second, I now want to devote my life to writing, reading, and thinking. (And going to the gym building the perfect male body.) I realise I’m lucky to be able to pursue my dreams, but it is something I have been working towards; it’s just a bit earlier than I originally planned.
I’ve had twenty wonderful years at the University of Dundee. I love the place, and I’m proud of the Psychology group I managed and built up there. I love teaching, particularly those huge first-year lectures with an appreciative audience. But the times they are a-changing, and I’m starting to feel just a bit out of touch with academic life and the young of today. So it’s time for a change and a new challenge. Mainly I want to be free and I want to write. It remains to see what sort of living I can make.
I’ve never taken well to following orders – I remember I particularly hated PE at school not because I disliked sport or exercise, but because I hated the regimentation that went with it. And the cadet force at school was also most unpleasant: what was the point of shiny buckles and marching up and down just for the sake of it? In any job, however good, where you’re not the boss, you have to do what others tell you, to some extent at least – it’s hardly unreasonable if you’re getting paid, and particularly if you’re getting paid by the tax payer. But I have found that having to do things seems to make me anxious. My psychopathology again. So, non serviam.
I have several projects on the go that aren’t too far away from being completed. There’s the second edition of my beginner’s guide to the psychology of language, Talking the talk. I’m proud of that because I think it’s the best thing I’ve ever written. There’s a student guide to the philosophy of science and psychology on the way. And then there’s a book on consciousness. That should take me to the end of this year. And there’s my book on depression, anxiety, and me, for which my agent is currently trying to find an editor. Publishers and editors interested in the definitive book on the experience and science of depression, contact us (trevor.harley@mac.com).
And the effect of making the decision and signing the deal has been enormously beneficial to my mood and anxiety levels. I feel HAPPY (I do want to shout here) and my anxiety has virtually disappeared. So I’ve decided to reduce my medication.
So I am taking big steps to taking control of my life and trying to cure myself of depression and anxiety: in the last few months I’ve started working out with a personal trainer, and changed the job. And so far it seems to be working. But I know many battles lie ahead.

Input-output

Would a life spent just reading be one worth living? What about a life spent just listening to music? Or even one reading while listening to music? I find there’s a limit to the amount of time I can read. Being depressed, my concentration is poor, and I often find myself distracted while reading. I talked about the importance of focus on meaningful work such as reading as deep work last week. Reading properly takes time and effort, and there’s a limit to how much anyone can do in a day. I’d be interested to hear how long people typically spend reading each day, but I seem unable to manage more than a few hours in total. Even a “light novel” where the reviews say “I finished this in a morning” will take me a week.

I’ve always found reading to be very enjoyable. I remember when I was about ten my mother would tell me to go out and play, but really I wanted to stay in and read. I consumed a great deal of children’s fiction, and reading was what I most wanted to do. Some people my age might remembet the Puffin Club – in retrospect a clever marketing device to get us to consume more books, but I found it a revelation when I was young. Here was something that revered reading.
I learn a lot from reading. I am always entranced by the prospect of the hundreds of unread books on my shelves, and am continually discovering new authors and new books. I can tell I’m seriously depressed when even reading loses its enjoyment and allure. I can imagine a life with every spare moment spent reading – maybe doubling up, and reading while cooking, eating, and even exercising – would be enjoyable and satisfying. And yet … something would be missing.
Yin and yang, good and evil, black and white, Cheech and Chong – we like dualities. What’s the opposite of reading? Writing. What’s the opposite of listening to music? Making music. While reading is largely a passive activity where you consume someone else’s creation, when writing you create words that someone else will read (hopefully). But then a life spent writing would be impossible, for me at least, because I need to read to have something to write about – or at least to know what I am writing about. Sadly you can’t write academic books while just speculating on your inner turmoil. So there is a balance to be found with some writing and some reading. A morning spent writing from the early hours, then exercise, a walk, an appreciation of nature, a little nap, and then the rest of the day reading while listening to music – that would be a pretty satisfying day. A meaningful day. To consume isn’t enough – for me at least. I need to create as well. But people differ and perhaps you disagree; if so let me know below.

Deep time

sunset

 

I have just finished reading Deep work: Rules for focused success in a distracted world, by the writer and study guru Cal Newport. The idea is a very interesting one, and although after you’ve read it you think “that’s obvious, I was trying to do that anyway”, the book is very clearly written and the case well argued. I recommend it.

Deep work is work that advances our meaningful goals. One could quibble in saying it’s not always obvious what’s meaningful, but I know deep down which goals are worth while pursuing and which are superficial. As far as work is concerned it’s writing, and that’s probably true of most academics (and most writers). Not all writing is deep: books, papers, and lectures (to some extent) are, but a report on what I’ve been doing recently isn’t – it’s just something I have to do. Deep goals need deep work, which is demanding and involves concentration, effort, and time. It involves, using the psychologist Csikszentmihályi’s term, getting into a state of flow. You don’t make much progress on writing a book unless you put aside some quality time, which means time free from distraction, and get on with getting those words out.

The problem is that distraction is all around us, even when we try to do deep work. The other day I noticed that my Kindle said “15 minutes left in book” (the book was Deep work in fact). So I sat down and tried to finish reading it, measuring how long it actually took. It took over 45 minutes! I kept on getting distracted, looking around me, my mind wandering, checking a few facts, standing up to stretch and wander around.

And writing is so much more difficult than reading. At our desk or laptop we are usually always connected to the internet, and what a distraction that can be. Checking email, looking at Twitter maybe, checking our messages, looking at Facebook, checking the news to see if anything interesting has happened in the last five minutes, checking a fact on what we’re writing and then getting distracted by another link – none of these distractions were around when Proust was writing. It is easy to start writing with the best intentions and then discover an hour later we’ve only managed a sentence. We do know that Arsenal haven’t bought a new striker and that Emily’s cat slept on the duvet last night looking cute.

So clearly some discipline is necessary when we’re trying to do deep work. Newport argues that we can learn to work deeply, just as we can acquire any other skill. We might be able to work deeply simply by resolution and determination. Some of us might need to log out of Twitter and Facebook to make it that much more difficult to check them. Some of us might need more drastic medicine and to switch off our internet connection or router. Some might even need to burn the router. Newport is against even checking facts as we write, putting them aside to dedicated time later.

Even when we can do it, deep work is tiring. When I was writing my book Talking the talk: Language, psychology and science, I think I was pretty disciplined. I would sit at my desk in the morning,, starting at 8, and from the hour not stop until I had written 500 words. On average these 500 words would take me 35-40 minutes. Then I would stretch, stand up, go to the loo, make coffee perhaps – and very quickly the top of the hour and come round and off I’d go on the next 500. I found this regime absolutely exhausting.

Newport argues that it’s not easy to do much more than four hours real deep work a day, and that’s my experience when writing Talking the talk. I doubt if I could do four contiguous hours; I would need a coffee break at least – time to catch up with the news and checking those facts. And often our jobs involve work that is necessary but not necessarily deep, so we need to reserve some time for shallow work.

It all sounds very obvious, but in practice it’s fiendishly difficult to do, for me at least. Now it’s time to check my email again.